The Earl's Lost Son第7章 / 80

第7章 The Investigation

Julian Pemberton did not sleep that night. He sat in his room at Ashworth Manor, a glass of brandy untouched on the table beside him, and stared into the dying embers of the fire. The bill in Chancery was a threat—not merely a legal challenge but a declaration of war. Thomas Hartley, a barrister of modest reputation, had chosen to challenge the heir of Pemberton, and in doing so, he had placed a target upon his own back. Julian considered his options. He could attempt to intimidate Thomas, to threaten him with professional ruin or physical harm. But Julian was not a man who acted rashly. He knew that any attempt to silence a barrister would only draw more attention to the case, and the last thing he needed was scrutiny. No. The proper response was to outmanoeuvre his opponent, to build a case so strong that the bill would fail on its own merits, leaving Thomas Hartley to face not only defeat but the wrath of the aristocracy he had presumed to challenge. He rose and walked to the window. London lay beyond the estate, a vast expanse of lights and smoke and secrets. Somewhere in that city, a man named Leonardo Harrington was preparing to claim the title that Julian had spent his entire life preparing to inherit. And Julian would not let him. He returned to his desk and began to write. Letters to allies, to lawyers, to journalists. He would control the narrative before his opponent could even begin to speak. The story of the circus-born bastard would be told on his terms, not Thomas Hartley's. In London, the newspapers carried summaries of his correspondence. The Morning Post ran an article entitled "The Impostor of Gray's Inn," which described Leo as "a mere steeplejack of the sawdust ring" who had been plucked from obscurity by a con artist and dressed in the clothes of an earl. The article included a woodcut illustration of a man on a tightrope, captioned "The False Heir Takes His Walk." Leo read the article in Thomas's chambers and laughed, a dry sound that held no mirth. "They paint me as a clown," he said, folding the paper and setting it aside. "Perhaps I am one. But at least my act is honest." Thomas did not laugh. He knew that public opinion could be as dangerous as any legal argument. If the courts ruled in Leo's favour but the world refused to accept him, the title would be little more than a piece of paper. The Pemberton name carried weight because people believed in it, and belief could be shattered as easily as glass. He spent the following days preparing for the possibility that the case would be lost not in the courts but in the court of public opinion. He wrote letters to sympathetic journalists, gathered testimonies from those who had known the late earl, and prepared a counter-narrative that emphasised Leo's character, his integrity, and his deep knowledge of the estates he sought to inherit. It was, he knew, an uphill battle. The aristocracy had little patience for men who rose from the ranks of entertainers, and Sir Julian knew exactly how to exploit that prejudice. But Thomas also knew something else: the truth, once established, had a way of prevailing. He had seen it in dozens of cases, and he intended to see it again. The marriage record was real. The letters were genuine. Leo was the son of the earl, and no amount of slander could change that fact. He closed his portfolio and looked at Leo, who was standing by the window, gazing out at the grey London sky. "We will win this," Thomas said. "Not because the law is on our side, though it is. But because the truth does not require protection. It requires only to be spoken." Leo turned from the window and met his friend's gaze. "Then let us speak it loudly," he said. Meanwhile, Sir Julian continued his campaign of slander. He wrote to influential figures across the country, spreading rumours about Leo's character and questioning the authenticity of the evidence Thomas had assembled. His letters were well-crafted and persuasive, and they found an eager audience among those who were predisposed to view a circus performer as an unworthy claimant to an ancient title. But Thomas was not easily deterred. He had spent his career defending the underdog, the marginalised, the voiceless. This case was no different from any other—he simply needed to present the facts clearly and let them speak for themselves. And the facts, he knew, were on their side. --- The following weeks were a blur of preparation. Thomas worked late into the night, drafting legal documents and gathering testimonies, while Leo studied the history of the Pemberton estate with growing fascination. He learned about the architectural legacy of the manor house, the agricultural innovations that had transformed the surrounding farmland, and the political machinations that had shaped the family's fortunes across seven generations. Each new piece of information deepened his sense of connection to a place and a people he had never known but whose blood ran through his veins. Leo also understood that he would need to prove himself worthy of the title, not merely in the courts but in the eyes of the world. The aristocracy judged men by their breeding, their education, and their manners—all of which Leo lacked in the conventional sense. But he possessed something more valuable: an honest heart and a willingness to learn. He spent hours each day studying the etiquette of the drawing room, the protocol of the dining table, and the language of the law courts. Thomas guided him patiently, correcting his mistakes and encouraging his progress. The pressure of the case weighed on both men, but they bore it together. In the evenings, they reviewed their strategy over modest dinners in Thomas's chambers, discussing the strengths and weaknesses of their evidence. They knew that Sir Julian would stop at nothing to win, and they prepared accordingly. Every detail was examined, every witness interviewed, every argument rehearsed. When the day of the hearing finally arrived, Thomas and Leo were as ready as they could ever be.