The Widow of BlackmoreChapter 67 / 80words

Chapter 67 Biscay

The gale found them on the third day out, in the Bay where all the coasts of Europe send their weather to argue, and it began — as bad things do at sea and elsewhere — politely. A long swell from the northwest with nothing to account for it; the glass dropping so fast that Quiller tapped it twice to be sure it wasn't broken; then the horizon going the color of a bruise, and the wind arriving not as a sound but as a pressure, like a hand laid flat between the shoulder blades. Rosalind had seen storms from windows her whole life. She had never before been *inside* one — inside the thing itself, with no wall between her person and the working of the sky — and the first hour taught her why sailors talk the way they talk: quietly, quickly, and about rope. The Sparrowhawk took in canvas until she was running under a scrap of topsail and a prayer, and the cabin became a country of swinging lanterns and stowed gear, and Ines, seasick or not, established herself in the steerage with the ship's boy under one arm and a kettle lashed at her feet, and made herself useful in the oldest way there is, which is refusing absolutely to be frightened where the young can see her. Rosalind's post chose itself. The traveling lamp had come through the first night upright in its bracket, but a ship rolls differently when the sea gets serious, and she spent that second night lashed into the after cabin with Julian, tending flame like gun-crews tend powder: box padded, bracket doubled, glass wrapped in flannel between watches, the little leave-light facing backward into the storm's teeth as if Portugal needed reassuring. Twice the lamp went out of its glass entirely — a blue ghost of a flame lying flat — and twice it gathered itself and stood, and by the third recovery neither of them said anything about it, because some facts are better carried than discussed. Near morning the mother-lamp's case broke loose. She heard it rather than saw it — the particular wooden groan of something heavy deciding to travel — and was across the pitching deck of a floor with no warning at all, arms around the case, shoulder against the bulkhead, before conscious thought arrived. The ship stood on her beam ends for what felt like the length of a psalm. Julian came down the slope of the cabin on his heels with rope in his hands and lashed case, wife, and ring-bolt into one architecture, and they crouched together inside it while the storm walked over the mast and tried the doors of the world. "Married life," Julian shouted into her hair, and she felt rather than heard the laugh in it, and hit him weakly on the arm, and held on. Toward dawn the hand between the shoulder blades relaxed. The wind did not die; it *withdrew*, sulkily, in stages, like an army that has decided the town isn't worth it, and gray light came up on a sea still running high and cold and clean-washed. They opened the lamp-box in the wreck of the cabin. The traveling flame stood upright in its glass, small, composed, faintly pleased with itself, having crossed water twice and weather once without so much as singeing its wick. Quiller's mate, summoned to help and staying to stare, touched his head and said to nobody in particular that he'd carried cargo through Biscay before but never cargo that seemed *relieved*, and Quiller told him to go about his business, and looked rather a long time at the wave-shaped handle before following. It was Ines who put words to what the whole crew was thinking, at breakfast, over cocoa the cook had sweetened against regulation. "Aboard this ship are three hundred souls' worth of luck," she said, "and it sits in a tin box and leans." And when Julian began the sailor's disclaimer — *ship's lamps are built stubborn, ma'am* — she looked at him over the rim of her cup until he stopped, and he stopped, and the mate grinned into his cocoa like a boy who has watched his father outargued at his own table. The passenger came on deck that same forenoon, restored by the fair weather to his roundhouse dignity, and Rosalind played her part across ten minutes of railing conversation with the steadiness of a woman who had faced Mr. Selby across a decanter. Mr. Nye, clerk to Mr. Selby, of Chancery Lane; depositions for the hearing; a man proud, in the way of minor men carrying major paper. She kept her voice pleasant and her ears open and gathered the shape of the enemy's case thread by thread: the marriage to be shown a contrivance; the famous lights to be shown theater; and — here his pride could not resist the specific — the sworn statement of a Plymouth boatman, one Daniel Cleave, ready for filing, that for seven years Captain Merrick had paid him to show lights from the Blackmore headland, manufacturing miracles to gull an heiress. She thanked him for his company, wished him a calm passage, and walked aft with a gait she rehearsed sentence by sentence, and only at the rail allowed her hands their trembling. "Cleave," Julian said quietly beside her, when she could speak. "Dan Cleave rowed me to the wreck forty times if he rowed me once. Honest as tide-work. If Dan Cleave swears otherwise, someone owns his debts." "Then we arrive before his oath does," Rosalind said, "and buy them back, or shame them back, or stand him up in court and let him look at you while he lies. We don't throw Mr. Nye's folio overboard, though I have watched you assess the tonnage available." "It crossed my mind as tonnage does." "Let his paper sail to London complete," she said. "There is no verdict sweeter than the one that breaks over a lawyer's own papers. Give me the commonplace book. Deposition begun in the field." They kept the midnight watch together two nights later, the sea gone long and clean under a rinsed sky, wrapped in one cloak at the rail with the leave-light burning stern-ways behind them and the dark lamp riding below like a held breath, and spoke little, needing little. Toward four the lookout's cry came down out of the tops, thin with satisfaction — land, bearing north — and Rosalind lifted her face and saw, far off and faint as a pencil line drawn on the dark, the edge of England.