Chapter 15 Low Water, Late August
The tide at Sallowry on the last Friday of August was the lowest Ismay could
remember, and she could remember the one in 2013, which had been lower, because
she had been told about the one in 2013 by a woman in a telephone box and had
written it in a notebook at the time.
She came up the bank at eleven in the morning with a bag of shopping and a child
in tow and stopped halfway, twice, for breath, and the second time put her hand
flat on the sea wall and looked back the way they had come, at the mud going out
to sea with the water still coming in underneath it.
"Mam. Mam. Why are you stopping."
"I live here."
"You live in Ildwater."
"I live in Ildwater," Ismay agreed, "and I lived here until I was
twenty-two."
The house was above them at the top of a hundred and eighty steps with a
handrail on the sea side only. Salt. The paint had gone the colour of skimmed
milk. The gutter on the front had come away at the corner and had been left
hanging in a loop, and somebody — Kerra, then, it could only be Kerra — had
wired it back up to the fascia with a garden tie.
Celyn ran the whole hundred and eighty and waited at the top, and then said,
"Mam, this is where you did the thing."
"Doed what."
"You told me the sea was full of people," said Celyn, "and you said they were
under the water and sleeping, and you said it in a church, and Dad said you were
being weird."
Ismay put the bag down on the step.
"That was a long time ago and I was tired," she said.
It had been in a car park at Collow Ness in 2016 and she had been driving home
with a headache and Celyn aged two had asked where the sea went at night, and
she had answered it in a way she had been embarrassed by for three years. The
sea doesn't go anywhere. People do. There were people under the water and they
were asleep. There.
"Also," said Celyn, "you said the bell was old."
"I said the bell was old."
"You said it was *angry*."
"Tell me what you said, and then we'll see how much of it I want to stand
behind."
"You didn't want to stand behind any of it." Celyn shrugged and went and put
her hand on the door, which was unlocked. "Kerra says we're going in the front
because the back door's got the water under it."
The front room was exactly as it had been, and it was not as it had been.
The desk was there, and the chair, and the lamp with its flex mended with tape.
The deal table had the ring on it from a hot pan and a square patch where
something else had stood. The press was against the end wall and the door of it
was open, and the shelves inside it were bare.
"Eight years," said Ismay.
"Eight years."
"Somebody's had a look in here."
"Kerra's had a look in here." Celyn said it with the flatness of a child who
has been told a fact so often it has worn smooth. "She says she looked in case
there was a leak. And she did the roof. Well. She had a man do the roof. She
says you'd have come back if it was leaking."
There was no roll. There was no key on the hook, because Ismay had taken the
key off the wall herself in 2011 and put it in her purse, and the purse was in
the car, and the roll was not in the house at all.
She stood in the middle of the room and worked it out from where she was
standing, the way she worked out a set of figures that had not been added up
properly, which was: it was in the airing cupboard in her own flat in Ildwater,
in a box that came from a removals firm in 2011, on the top shelf, behind the
quilt she never used, and she had not opened that box since the Tuesday she
packed it, in a state, alone, with her mother's funeral still fresh enough that
people were still sending her cards.
"Mam?"
"It's not here," said Ismay. "It's in Ildwater. In a box. On a shelf."
"Why is it in a box?"
"Because I took it out of the press the day after the funeral and I have not
been able to make myself put it back in and I have not been able to make myself
open it either."
"Right," said Celyn, and went and looked at the window.
There were two knocks and then the door going, which was Kerra letting herself
in, which was exactly what Kerra had done every day since 2011 and exactly what
made Ismay want to sit down.
Kerra was sixty-one and had got smaller and had not got any softer. She had a
cat carrier in one hand and a bag of something in the other, and she put the
cat carrier down in the hall and said:
"You've cut your hair."
"I've cut my hair."
"You've cut all of it off the sides, same as your aunt did that time." She
looked at Celyn. "There's tea in the pot, I made it before I saw your car.
The lock on the back door's been sticking since March and I've oiled it. Don't
thank me, you'll only stand there."
"You've made tea," said Ismay, "in my mother's house."
"Somebody's got to make tea in your mother's house," said Kerra, and went
through to the kitchen, and called, "There's no gas. Don't use that hob, it's
been off since June."
They sat at the kitchen table, which had been in the room when Cerys was alive,
and which had a card in a small frame on it that said HAPPY BIRTHDAY and had
said so since before either of them was born.
"Who's the boy?" said Kerra to Celyn.
"This is my daughter."
"I'm not daft." Kerra filled the kettle. "I know who she is. I've got her
photograph in the drawer by the bread bin, that's the only place it's been in
eight years." She set the kettle on its base. "You're the one I don't know."
"There's a man come three times about the land," Kerra said, before Ismay had
got started. "Mr Pyke. Off Palebank. He's been very polite and he's brought a
folder with photographs in it, and I've had to keep offering him a cup of tea
because there's nothing else to do, and I've not let him in past the step."
"Pyke."
"Sells the whole bank, he says. Nine houses. He's not lying about that, because
there's nine plots marked out on his plan with numbers on them, and one of the
numbers is on the Saltwyke land and another one is on the Saltwyke house."
Ismay looked at her.
"My house."
"Your house, and your pans, and the strip of bank, and the weigh-table thing
that's down there in the mud." Kerra poured the water. "And he's got an offer
on it, because he's not daft either. He came on the Tuesday with a printed sheet
and he said the client would pay whatever it took because the client wants the
frontage and the frontage is the only thing on that river with the view that
they've got."
"What view?"
"The Steps." Kerra stopped with the teapot up. "He says it in his own mouth. He
stood on that step and he pointed out at the mud and he said, that comes out
every forty years or thereabouts, and they call it the Nine Steps, and the
developer wants a house on the high bank with a clear line across it."
"And did you tell him that?"
"I told him I don't know anything about Steps," said Kerra, "and that people
who come from here don't talk about it, and he said everybody in the village
says that, and I said not to come up my path again until there's somebody
Saltwyke in the house."
The kitchen clock said four minutes slow, and it had said four minutes slow for
longer than Ismay had been alive.
"They've made an offer on it," Kerry said, and then, "Kerra," she said, "they
want an answer before the end of September, and they want somebody with a clean
title, and if there's any chance there's another Saltwyke hiding somewhere in
Collow Ness or in Ildwater or married and called something else for all I know,
they will not lift a finger until there's a search done."
"And the search needs the papers."
"The search needs the papers."
Ismay looked at the clock.
"They've gone into the county store," she said.
"They went into the county store on the Friday in August 1987 with a label on
them, and it was in the newspaper when you were a girl, and no." Kerra poured
the tea. "I heard it off the woman who was in the van. It went down to Ildwater
in a box and the box was signed for by your gran the day she handed it over,
which is the day after the last of the salt was boiled, and there was no roll in
that box. There's no roll in this room. I looked in the press the first week,
and the presses in this house have been empty since about 1992."
"Mam," said Celyn. "Mam, she doesn't know where it is."
"No," said Ismay. "She doesn't."
She got out her phone and went out to the step and stood on it with the door
open behind her so that she could hear the two of them in the kitchen, and
dialled the number of a solicitor in Ildwater she had never used, and asked
somebody to look up a bundle of family papers that had been in an airing
cupboard since 2011.
Then she opened the box of post that Kerra had put by the door, which had been
put by the door in 2011 and had been left there ever since, and counted
forty-one items, and started at the bottom.
The fourth one from the bottom was a letter addressed to her at a flat in Ildwater
she had left in 2016. Postmarked the March before. Her mother's writing.
"Mam," said Celyn, from the doorway. "Mam, whose is that?"
"None of yours," said Ismay.
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